A High-Voiced Rising Star in Opera at 25
Aryeh Nussbaum Cohen’s improbable career has brought him rapidly to the brink of operatic stardom at age 25. So it’s not surprising that the Brooklyn-born countertenor would fall prey to feeling a “kind of impostor syndrome” when he walked on stage. “Up until this time I’ve always had this feeling of, ‘What, me? Really?’” Cohen said in an interview at the War Memorial Opera House, where he was finishing a June run of performances as Medoro in Handel’s “Orlando.” But something changed on opening night. “I wasn’t nervous at all,” Cohen said. “For the first time, I’m feeling I really belong here and I can hold my own.” Indeed, he did more than that. His second-act aria, “Verdi allori,” regularly drew some of the evening’s biggest applause, and Joshua Kosman in the San Francisco Chronicle singled him out for his “strong and gleaming” tone and “endlessly eloquent” phrasing. Cohen is one of a young generation of countertenors who are popularizing a once-obscure vocal register that lies above normal tenor range and requires them to sing in falsetto or “head voice.” The repertoire for these singers was once limited mainly to baroque composers like Monteverdi and Handel, who wrote roles for …