Beyond ‘In the Heights,’ Colorism Persists, Rarely Addressed
Every year, Hollywood inevitably comes under criticism for its lack of racial diversity. But another lesser-known yet still pervasive problem also resurfaces: the lack of diversity in skin tone.It happened again with “In the Heights,” a big-budget film based on the musical created by Lin-Manuel Miranda, which was called out this week for its dearth of dark-skinned, Black Latinos in leading roles. Colorism — or discrimination against darker-skinned people within their same ethnic group — lurks deep among pretty much all communities with varying levels of melanin. But it doesn’t get talked about, and that could be a setback for the racial justice efforts that intensified after the police killing of George Floyd last year.Avoiding the conversation will hinder the battle for racial justice because the two are “fully and inextricably linked,” said Ellis P. Monk, Jr., a sociology professor at Harvard University who has been researching colorism for years. Monk says the issue is prevalent in all communities of color and has been taboo in part because it’s uncomfortable to talk about internal strife while also fighting against broader discrimination based on race and ethnicity. “In a way, colorism and skin tone stratification is an even more difficult problem …